1st BIG experiment

What I Did:

Time Calendar:
2 hours sketching gross and mean faces (the darkest and oddest I could make them)
1 hour breaking down my project into different categories for evaluation
1 hour thinking of a big experiment to incorporate all of these categories
11 hours making large face, vomit, and attaching cups

(sorry about the rotation of the images)

I have a place planned to put it in the art school and got my installation form signed by Mark but could not get a hold of Peter in order to put up my face, so I will do it within the next few days. So look out for it.


What I Accomplished/ Discovered/ Encountered:


This week, realized that some of my faces were just too happy to be thought provoking. So I went deeper and darker and tried to make them the most grotesque that I could. I then realized that I wasn't quite sure what I wanted to do with these faces and I still wasn't set on the entire theme of my project. So I broke my project down into 3 categories of what I wanted it to represent. 1) Faces: I have been wanting to do this the whole time. They are what I really enjoy doing and I feel that I am skilled in creating them. 2) Public art: This enables me to show off my work in public, which is scary for me because I am a very shy person. But it is also exciting because it is always fun to do something daring and then get good results in the end. 3) Environmental Issues: I respect this kind of artwork most. Sustainability is a huge issue and I would love to create things that not only have aesthetic value, but also have a good message. So here I have the 1)what, 2)how, and 3)why, but integrating these things is a lot more difficult than I thought. This is when I talked to Hannah and Stephanie and got my idea for the large face vomiting up used coffee cups. I think the excessive use of paper coffee cups is my biggest pet peeve around campus, because I see it so so often and each time it builds my anger and my need to say something about it. I believe my big vomiting face (Yeah. That sounds weird.) incorporates all of my ideas into an interesting piece of work, and it is exciting to finally figure out something that actually works fairly well. And it looks just how I envisioned it, I just think I need to add some more cups to get a bigger effect, possibly.

I didn't look at any other artists this week, I just tried to focus on my own goal and come up with an original idea that incorporated everything that I wanted it to.


What I Think I Should Do Next Week:

First, I will put up my face as soon as possible. Then, I will complete another big experiment that incorporates my ideas and probably install it in the art school as well.

One site, multiple faces

This week, I took on the assignment that I was told to try, which was to pick one site or object and to put as many different types faces and ways that people could intervene with the faces as I could. I also took a step back and tried to figure out just what it is about material objects and facial expressions/emotions that I find so fascinating.

What I Did:

Time Calendar:
5 hours writing and completing grant application
3.5 hours thinking of one site, multiple faces, and then sketching ideas and drawing faces
.5 hours putting up faces and documenting
2 hours revising my main point: Why emotions and material objects?
1 hour researching artists

Sometimes the faces were blatant...

 And sometimes you could not see them...

until you got close up.

Others didn't necessarily make any sense on the object, but were merely there for a surprise around the corner.

What I Accomplished/Discovered/Encountered:

After completing the faces the on drinking fountain, I realized that I needed to figure out what certain objects I wanted to personify and why I wanted to do this. What is it about material culture and facial expressions/emotions that I find so interesting? I realized I needed to do this because I felt that my project was getting into a realm of which I did not know exactly how to describe it, and things were going in a bunch of different directions. I also didn't know exactly why I was doing what I was doing. After sitting down and figuring these things out, I came to a satisfying conclusion that the thing that interests me the most about material objects is how much Americans take them for granted. So much energy has gone into the production and distribution of every object, but we don't see (or care) about this. I want to focus on materials that I see everyday being used and thrown away excessively. Things like coffee cups, water bottles, napkins, and plastic and paper bags are constantly being used excessively and it really bothers me to see this happen so frequently around me. When people can easily bring their own mugs for coffee, bottles for water, bags for groceries, and just take less napkins (you know you're not going to need 5 for one sandwich), it makes me question why everybody doesn't do this. Therefore, I want to get this message and reminder across to the public to use and waste less.

I also think that using faces with facial expressions can really make this message even more powerful than any words can for a number of reasons. First, people can instantly relate to facial expressions, and they can relate to them better than with words. With being able to relate to them, people may consciously or subconsciously respect the objects more. Second, people see words making messages all the time, but rarely do they see faces making messages, which can come as a surprise and make them remember the object and message more. Third, they have to figure out why these faces are on certain objects; it's not spelled out for them. This figuring it out will have them think about it more, and I think this will have a lasting impression.

After the critique of my drinking fountain, I got some feedback that I really agree with. A lot of my faces are too happy and cartoon-ish to make a real impact on how people view my art. Also some of the faces are not integrated enough with the object, such as the faces on the wall. I think my faces can and should be somewhat humorous, but I think I need to go for a darker humor; one that isn't so cutesy. I want people to have strong reactions so that they are impacted in some way, and I do not think this will happen as much as I want with the faces I made for the drinking fountain.

After researching artists who use trash in their work, I found 2 artists who make very cool and intense pieces. They make people out of trash, but in different ways.  The first is making them from a silhouette and the second just makes them out of trash, but then puts hundreds of them in very public spaces. They both give me this gross sense of the waste that people produce and how trash can define certain people, or a culture.

                                   "Dirty White Trash", 1998, Tim Noble and Sue Webster

               "Trash Man", 1996, HA Schult      Barcelona, 2007

What I Think I Should Do Next:

I made a quick sketch of what faces I want to put on a trash can, but I want to actually do this with a real trash can. I want to make really gross and disturbing faces that will get a lot of reactions from people. I want to push the boundaries of my faces, maybe even go off the edge of where I should be when I am putting these out in public.

Pillows, wood, and Borders

This week, I used different materials on which to put my faces according to their sites, along with finally putting my face onto the Borders window.

What I Did:

Time Calendar:
2.5 hours researching public artists and watching "Beautiful Losers"
.5 hours talking with my material culture professor about my project
1 hour shopping for and gathering pillows, cloth, wood, and attachments
2 hours drawing on different kinds of cloth with Sharpie
4 hours drawing on wood
1.5 hours drawing on pillows
1.5 hours putting up all the faces and and documenting
1 hour thinking of one site with many possible faces 

What I Accomplished/ Discovered/ Encountered

I tried to go out and put different faces on different sites that I had that I thought would make a good statement. Then I tried to discover which face and object related to what I want to do with my project the most. My favorite face that I put up was the sad face on Borders. I think it made the biggest statement, left people thinking about it for a while, and attracted the most attention because it was in the most public location and I left it up for the longest amount of time. More than one person in the art school today came up to me and told me that they saw it. I am actually going to see how long it stays up before someone takes it down.

I really liked the way that the couch pillows and the tree looked, but I do not think that people got as much of a reaction from them. Even though I had statements that I was making with them (that people don't notice and appreciate Michigan trees in the fall enough, and that students need to get sleep whenever and wherever they can), I am wondering if people just saw these faces, thought they were funny, and then quickly forgot about them.

Aside from creating my faces on objects, I also researched more public artists that James told me about and watched the documentary "Beautiful Losers" which is about mainly graffiti artists. I really like how a lot of Margaret Kilgallen's work includes images of women along with just one word of text that says a lot. Another artist that I came across was Vinchen, whose work relates more to graffiti. He makes a lot of good statements in his work that I agree with and I think it would be fun to also touch on these subjects.

                                           some of Margaret Kilgallen's work

                                           Vinchen, Live With It

                                               Vinchen, Bargain Heart Attack

                                                  Vinchen, Ivy

Vinchen's Ivy inspired me to do my tree face.

I talked to my material culture professor, but she is only filling in for the regular material culture professor who is on sabbatical, so I only got a few ideas from the conversation. She mainly focuses on food and mass media, which are important things to our culture because we experience them everyday. These are some things that could be interesting to focus on in my work as well. She also suggested that I consider doing a video documentary on the faces out in public and their reactions. I had always thought that I was just going to take pictures, but recording my process and reactions with video could be interesting and reflect even more information than I could get with just pictures.


What I Think I Should Do Next

As suggested during my critique, I will try to focus on one object and think of as many ways to formulate emotions about that object as I can. I will think about different ways that viewers can intervene or interact with the faces and object, and I will think about how subtle and how blatant I can make the faces on the object.